1819-1856
French
Theodore Chasseriau Locations
1819?C56, French painter, b. Santo Domingo. He entered Ingres studio at the age of 12; five years later he gained immediate recognition with the exhibition of his Cain, Cursed and Return of the Prodigal. Chass??riau was the only artist of the age who successfully combined Ingres sense of line and Delacroix rich color and vitality and, at the same time, created his own personal style. After his visit to Algeria in the 1840s, he emphasized the exotic, romantic elements in his painting, while still adhering to classical techniques. Among his best-known works are the Two Sisters, Arabian Challenge, and Tepidarium (all: Louvre). His mural decorations for the Cour des Comptes of the Palais d Orsay, Paris, were destroyed except for a few fragments preserved in the Louvre. His untimely death cut short a brilliant career. Related Paintings of Theodore Chasseriau :. | Venus of the sea | Dimensions and material of painting | Dimensions and material of painting | the artist's sisters | Macbeth and Banquo meeting the witches on the heath. | Related Artists:
Henriette RonnerFrench
1821-1909
He was a Dutch painter. Born Henriette Knip in Amsterdam, she moved at a young age to Den Bosch and was until 1850 active in Sint-Michielsgestel and Boxtel. That year she married Feico Ronner and moved to Belgium, first to Brussels and in 1878 to Elsene. She was best known for her paintings of subjects from nature, especially cats and dogs.
Cornelisz van Haarlem1562-1638
Dutch
Cornelisz van Haarlem Galleries
Dutch painter and draughtsman. He came from a wealthy family. During the Spanish siege and occupation of Haarlem (1572-7), his parents moved elsewhere, leaving their son and large house in the protection of the painter Pieter Pietersz. (1540/41-1603), who became Cornelis's teacher. In 1579 Cornelis travelled to France by sea, but the journey terminated at Rouen because of an outbreak of plague. He then became a pupil of Gillis Congnet in Antwerp, with whom he stayed for one year. In 1580-81 he returned permanently to Haarlem, and in 1583 he received his first official commission from the city, a militia company portrait, the Banquet of the Haarlem Civic Guard (Haarlem, Frans Halsmus.). Around 1584 he befriended Hendrick Goltzius and Karel van Mander, with whom he is said to have established a kind of academy.
Thomas Couture1815-1879
French
Thomas Couture Location
French painter and teacher. A student of Antoine-Jean Gros in 1830-38 and Paul Delaroche in 1838-9, he demonstrated precocious ability in drawing and was expected to win the Prix de Rome. He tried at least six times between 1834 and 1839, but achieved only second prize in 1837 (entry untraced). Disgusted with the politics of the academic system, Couture withdrew and took an independent path. He later attacked the stultified curriculum of the Ecole des Beaux-Arts and discouraged his own students from entering this institution. He first attained public notoriety at the Paris Salon with Young Venetians after an Orgy (1840; Montrouge, priv. col., see Boime, p. 85), the Prodigal Son (1841; Le Havre, Mus. B.-A.) and the Love of Gold (1844; Toulouse, Mus. Augustins). These early canvases are treated in a moralizing and anecdotal mode; the forms and compositional structures, like the debauched and corrupt protagonists, are sluggish and dull. Yet what made his work seem fresh to the Salon audience was his use of bright colour and surface texture derived from such painters as Alexandre-Gabriel Decamps and Eugene Delacroix, while his literary bent and methodical drawing demonstrated his mastery of academic tradition. The critics Thophile Gautier and Paul Mantz (1821-95) proclaimed him as the leader of a new school that mediated between the old and the new, and looked to him for a revitalization of Salon painting. The air of compromise his works projected made him appear a cultural representative of the juste milieu policies of Louis-Philippe.